Harri Mires, La Conexión, 2024, Acryl auf Leinwand, 148 x 122 cm, Foto: Wolfgang Günzel
Dimas Paredes Armas, Puka Lupuna, 2023, Öl auf Leinwand, 69 x 54 cm, Foto: Wolfgang Günzel
Alexander Shimpukat Soria, Picaflor cósmico, 2023, Acryl auf Leinwand, 130 x 80 cm, Foto: Wolfgang Günzel
Harri Mires Villacorta, El portal de nuestro ser, 2025, Acryl auf Leinwand, 81 x 50 cm, Foto: Wolfgang Günzel
Sami Paola Ruiz Macuyama, Curandera, 2014, Acryl auf Leinwand, 86 x 77 cm, Foto: Wolfgang Günzel
Gledis Panduro Vasquez, Ikaro Shamanico GVP, 2021, Acryl auf Leinwand, 79 x 108 cm, Foto: Wolfgang Günzel
Harri Mires Villacorta, La Shipiba (Icaro de la Medicina), 2025, Acryl auf Leinwand, 68 x 44 cm, Foto: Wolfgang Günzel
Harri Mires Villacorta, Arcana de la Medicina, 2023, Acryl auf Leinwand, 50 x 70 cm, Foto: Wolfgang Günzel
Works of neo-Amazonian art
The Weltkulturen Museum has acquired nine paintings from the Peruvian ‘neoamazónico’ school through the non-profit project Tonkiry Artists-for-the-Rainforest. This contemporary art movement can be traced back to the painter Pablo Amaringo (1938-2009), who founded the Usko Ayar art school in the Peruvian Amazon region in 1988. The 2025 newly acquired works are by artists who trained under Amaringo and his students: Harri Mires Villacorta, Gledis Panduro Vazquez, Sami Paola Ruiz Macuyama, Alexander Shimpukat Soria and Dimas Paredes Armas.
The vividly coloured acrylic paintings are closely linked to the cultural landscape of the Amazon rainforest and its human and animal inhabitants. Indigenous traditions, shamanic knowledge and spiritual references are reflected in the works. This is evident not only in the motifs of the paintings, but also in the artists’ inspiration. Some of the painters are practising shamans. Harri Mires, for example, incorporates into his works visions inspired by ayahuasca – a spiritual plant-based drink – which trace back to the late artist Pablo Amaringo.
With these new acquisitions, the Weltkulturen Museum is expanding its existing Neo-Amazonian collection, which was established by the former curator Mona Suhrbier through the purchase of paintings by Amaringo and his students in the early 1990s.
