Elongo, Shield; Maasai, Kenya, 19th/20th century; Wood, buffalo skin; Artist/craftsperson: not documented; Previous owner: The Wellcome Historical Medical Museum, London, Great Britain; In the Weltkulturen Museum Frankfurt since 1955; Photo: Peter Wolff
Hirizi ya fedha, Amulet (protective silver amulet); Swahili, Kenya, 20th century; Silver; Artist/craftsperson: unknown goldsmith in Mombasa; Collector: Dr Johanna Agthe; In the Weltkulturen Museum since 1974; Photo: Peter Wolff
Finger ring; Swahili (?), Kenya, 20th century; Coin, silver; Artist/craftsperson: not documented; Collector: Dr Johanna Agthe; In the Weltkulturen Museum since 1974, Photo: Peter Wolff
Kanga on the 8th anniversary of Kenya's independence (12.12.1971); Cotton; Producer: Tasini, Tanzania, 1971; Collector: Dr Johanna Agthe; In the Weltkulturen Museum, Frankfurt am Main since 1974; Photo: Peter Wolff
Hirizi, Necklace (Talisman/Charm); Swahili, Kenya, 20th century Silver; Artist/craftsperson: not documented; Collector: Dr Johanna Agthe; In the Weltkulturen Museum since 1974; Photo: Peter Wolff
Kamba figure (Frankfurt); Kamba, Kenya, 1974; Wood; Artist: Joseph Mulli; Collector: Dr Johanna Agthe; In the Weltkulturen Museum since 1974; Photo: Peter Wolff
Snuff box (Frankfurt); Kamba, Kenya, 19th / 20th century; Horn, leather, iron; Artist/craftsperson: not documented; Collector: probably Carl Georg Schillings; Previous owner: Königlichen Zoologischen und Anthropologisch-Ethnographischen Museum (now: Staatliche Kunstsammlung Dresden); In the Weltkulturen Museum since 1910; Photo: Peter Wolff
Ndoome, ‘Dance Shield’; Kikuyu, Kenya; 19th/20th century; Wood, colour pigments; Artist/craftsperson: not documented; Dealer: William Ockleford Oldman; In the Weltkulturen Museum, Frankfurt am Main since 1911; Photo: Peter Wolff
International Inventories Programme
How can Kenyan cultural heritage held by cultural institutions in places such as Europe and the USA be made accessible in Kenya as well? This was the focus of the ‘International Inventories Programme’, for which the artists’ collectives The Nest and SHIFT joined forces with the National Museum of Kenya in Nairobi, the Rautenstrauch-Joest-Museum in Cologne, the Weltkulturen Museum in Frankfurt am Main and the Goethe-Institut. Together, they catalogued the Kenyan objects in a database to create greater transparency in museum archives. The database comprised over 32,501 objects from thirty different institutions that had made their archive data available. In May 2021, the database was also made accessible to the public. To accompany this, public discussions took place in Kenya under the title ‘Object Movement Dialogues’. In addition to addressing restitution issues, a forum was created in which intellectual and emotional engagement with individual objects took place. As Njoki Ngumi from The Nest asked in one of these dialogues: “Who are the people who left the object behind? And if the object is to return to a society from which it was taken, who are the people with whom the object will come into contact?”
This long-term collaborative and interdisciplinary process resulted in several publications as well as the exhibition “Invisible Inventories”, which was shown in three different versions in 2021. The exhibitions were funded by the German Federal Cultural Foundation. Artistic direction was collectively provided by the team behind the “International Inventories Programme”.
Further information is available at: www.inventoriesprogramme.org
